The character actor provided the understructure of a film. Take any movie, good or mediocre, from 1930 to 1970 and you will find one or more memorable “characters”. A leading role in films usually required a “name”, a celebrated star who had mass appeal and who could bring audiences into the theater. The character or featured roles depended on someone who specialized in a particular “type” of personality and who could wrap a persona around the role to give it dimension, depth and mood soon identified with that actor alone. It was these players who kept the audiences in their seats.

Katy Jurado

January 16th, 1924 - July 5th, 2002

 

It was said of Katy Jurado that “She planted the Mexican flag in the U.S. film industry and made her country proud”. From the late 1930’s until the early 1950’s, Mexico led the world in Spanish language films, producing up to 125 pictures a year. Katy was one of their leading actresses when director Budd Boetticher saw her sitting in a bullfight arena where he was shooting scenes for “Torero” (“The Bullfighter and the Lady”) in 1951. She got the role of Chelo Estrada without knowing a word of English.

Katy was born Maria Christina Jurado Garcia in Guadalajara, Mexico to an upper middle-class family and, even as a child, knew she wanted to be an actress. She married at 16 so that she could pursue a career in films without parental consent and had two children before the marriage ended in divorce (however her death notice only listed one daughter surviving her). Katy’s first film “No mataras” was released in 1943 and the fiery beauty was on her way.

American audiences got their first real look at Katy when she played Helen Ramirez, a Mexican woman of questionable virtue, in “High Noon” (1952). In 1954 she became the first Mexican-born actress ever to be nominated for an Academy Award for her role opposite Spencer Tracy in “Broken Lance” and won Mexico’s highest award the same year for her performance as the jealous mistress of a butcher hired by her husband to evict tenants in “El Brutus”.

Katy married for a second time on New Year’s Eve, 1959 to actor Ernest Borgnine but the marriage only lasted about 2 1/2 years. She continued to make films on both sides of the border as well as television movies and guest spots. In Mexico, she is most remembered for her role in the 1957 melodrama “Nosotros Los Pobres” (We The Poor) opposite Mexican heartthrob Pedro Infante. In America she gave her all to an Elvis Presley picture “Stay Away, Joe” where she played Annie Lightcloud, Presley’s stepmother. Katy gained 22 lbs. in 22 days to look the part and worked with a broken foot ( she limped through the entire film).

Her last film role was as Esperanza, an elderly writer, in “A Beautiful Secret” (2002) just before her death. It won awards at both the Sarasota Film Festival and the film festival at Guadalajara.

Katy Jurado died at home in Cuernavaca, Mexico on July 5th, 2002 of lung and heart disease. She was 78.

Here are some of her other films:

Arrowhead (1953)
The Racers (1955)
Trapeze (1956)
One-Eyed Jacks (1961)
Barabbas (1962)
Pat Garrett and Billy the Kid (1973)